Doctor: Patrick Troughton (2nd Doctor)
Companions: Jamie, Victoria
Written by: Brian Hayles
Directed by: Derek Martinus
Editor's Note: Hey guys! Matt here stepping in real quick to mention that this week's blog is brought to you by Cassandra, who crushed it when talking about this week's story. But never fear! I'll be back next week with some thoughts on "Meglos", and as always keep checking out "The Doctor's Companion" for even more Classic Who discussion. Awesome stuff coming up. BUT FIRST! I'll let Cassandra kick things off!
Background & Significance: Ice Warriors, mofos!
I'm really excited to talk about this story because this is the first Troughton story I get to discuss, and I love Ice Warriors. Like, love. I don't care that they look silly or they hiss and it's hard to understand what they're talking about. They're freaking sweet.
Of course, this is the first story featuring the Martian race known as the Ice Warriors, and it's a really great first outing for them. Creator (and writer of this and every subsequent Classic story involving the Ice Warriors) Brian Hayles was approached by producer Innes Lloyd and script editor Peter Bryant to create a new recurring alien race for the Doctor to go up against, much like the Daleks and the Cybermen. Of course, the Ice Warriors wouldn't be utilized as often--they only show up in three stories after this one--but they're still, in my humble opinion, a great and iconic Doctor Who villain.
This story also deals with the idea of weather manipulation, which is a recurring theme in this era, starting with "The Moonbase". While so scientifically inaccurate it's insane, it's a lot of fun to be able to trace the various ideas people were entertaining at the time and how that bleeds into the social consciousness through a popular show like Doctor Who.
Of course, this is one of those stories thought lost to the ages at first, but thankfully was mostly recovered, with only two out of the six episodes missing (which is quite lucky, when you consider all the other stories missing in their entirety).
But enough of all that. Let's take a closer look, shall we?
Tuesday, July 26, 2011
Tuesday, July 19, 2011
Companions: Susan, Barbara, & Ian
Writtten by: John Lucarotti
Directed by: Waris Hussein
Background & Significance: "Marco Polo" is something of a legendary Doctor Who story. For starters, it's the chronological "first" story with missing episodes in the entire Doctor Who catalog; not only that, even, but it's the first story that is missing in its entirety. Missing stories, of course, are endlessly elusive in the eyes of the fans. The promise of what exists beyond cheap and blurry screencaps and a cleaned-up-but-not-perfect audio recording of the episode will always have that air of curiosity to it, even if the story doesn't really end up delivering in the end (this is the point when I call out "The Space Pirates").
Because all that survives of Marco Polo is its soundtrack and a couple of photographs from director Waris Hussein's personal library, the promise has perhaps never been greater. What we see on the images promises sets that were gorgeous and lush. Something with a fairly big budget and that would capitalize on the always-so-famous BBC period drama showcase. What we hear in the dialogue is rather strong and excellent. What we experience from the story is thrilling, simple, and intricate. As such, "Marco Polo" is the first real historical, and it's a historical epic at that ("Unearthly Child" doesn't quite count, as that's more adventure than historical educational) taps into the promise of early Doctor Who, when the basic conceit of the show was one that alternated between science fiction for one story and then historical for the second, with little to no sci-fi elements beyond the basic premise of "These traveling dudes landed in this time. Isn't that cool?"
And this all adds up to what is a legendary story. Not only that, but what is (perhaps) the greatest tragedy of the erased episodes from the missing BBC archives, because man is this just a total gem.
So let's get to it!
Thursday, July 14, 2011
Written by: Terry Nation
Directed by: Derek Martinus
Background & Significance: Leave it to Terry Nation to come up with titles that mean no sense.
"Mission to the Unknown" is something of an odd bird. Perhaps the most obvious of these is that there is neither sign nor reference to The Doctor or his current companions (Vicki and Steven at the time; about to become Steven and Katarina) and all that we have in sight are The Daleks and their allies for the forthcoming epic "The Daleks' Master Plan".
If that sounds weird, that's because it is. It doesn't feel like Doctor Who, nor (do I think) is it supposed to. The show was about to capitalize on the last gasp of Dalekmania before the Daleks went into a four year retirement between the back two seasons of Hartnell and the first two of Troughton. At the time, Terry Nation was attempting to capitalize on his most famous creations, working on getting a Dalek television show made. As such, this becomes an almost backdoor pilot to what would have been a Dalek television series (think something like a Dalek show starring Sara Kingdom as head of a counter-Dalek squad or something). So it... Yeah. It's weird. But they got away with it, I guess.
Also, as one final point of ego-boosting background: This is the halfway point for the blog. Apparently we've so far covered the first half of Classic Doctor Who, meaning it's all downhill from here. I know you probably don't care, but ummmm... Yeah. Milestone. Go us. Go team. Go everybody.
So let's get to it!
Tuesday, July 12, 2011
Companions: Romana II, K-9
Writtten by: Bob Baker
Directed by: Alan Bromly
Background & Significance: Just so you know, the title is a drug reference.
"The Nightmare of Eden" is something of an odd bird if you ask me. By all rights I shouldn't really like this story. It's written by one half of the team that has brought me so much pain in Classic Doctor Who, it's in Graham Williams's final season, Douglas Adams's only season, is done on the remarkable cheap, and features an appearance by David Brierly, also known as "The Imposter K-9".
That's not to say the story didn't have everything going against it. Director Alan Bromly was last seen directing The Doctor in the very excellent "The Time Warrior" and was pulled out of retirement based on his perceived interest in the subject matter. Unfortunately, Bromly himself came from a different era of TV direction, in which a director was allowed an authoritarian level of control over his set and vision of the story. Sure, this worked well for Jon Pertwee some six or seven years earlier. But this is a different time. Yes yes. Of course, Bromly's vision brought him straight into conflict with Doctor Who primadonna Tom Baker, who was used to getting his way on the programme and what have you.
Between that and Lalla Ward (and plenty of other peoples) wanting to make sure the drugs in the story were never portrayed as anything even remotely close to positive, it's... quite the gauntlet this story has to run to get made. But strangely, I really think it's stronger for it, regardless of the behind the scenes stuff, which apparently erupted into on-set shouting matches between Tom Baker and the director, culminating in Bromly walking off the project on the final day during the supper break and Graham Williams being forced to step in to complete work on the production and post-production of the serial, which in turn led to Graham Williams's last straw and his departure from the programme at the end of the year...
Which... kinda makes this a turning point really sorta. Kinda. Sorta.
Anyways. It's time to get talking about some drug running.
So let's get to it!
Tuesday, July 5, 2011
Companions: Jamie, Zoe
Writtten by: Robert Holmes
Directed by: Michael Hart
Background & Significance: "The Space Pirates" will forever be remembered as "The One Before The War Games", and that's not just because "The War Games" is so influential and spanning and all-important. The regulars and the cast and crew themselves were in a bit of a transitionary phase while the show prepared to undergo what was essentially a square one reboot.
When you start to get into the nitty gritty of Troughton's final season, it's clear to see that the production crew was absolutely languishing. "The Dominators" was supposed to be six episodes, but they trimmed it to five to enhance the quality of the remaining story. "The Invasion" was as long as it was to stall for time as other things got ready. Doctor Who legend Terrence Dicks (arguably one of the most important figures in Doctor Who's history) was emergency-promoted from assistant script editor to script editor due to outgoing script editor Derrick Sherwin's continued influence in becoming producer on the show. Dicks himself was pulled off of script editing duties towards the end of the season to co-write "The War Games" with Malcolm Hulke with Sherwin stepping in to fill in for this story, "The Space Pirates", and because of the massive scope and the finale's ten episode length, The Doctor and his companions had to pre-film their contribution to episode six.
Spearhead From Space".
Sorry. I'm rambling. Anyways...
"The Space Pirates" is writer Robert Holmes's second contribution to Doctor Who after a strong initial outing in "The Krotons". Unfortunately, "The Krotons" was meant to be the penultimate story for season six, but when the planned fourth story of the season had to be abandoned, "The Krotons" was pushed up to take its place and "The Space Pirates" was born to fill the spot left by "The Krotons." (See? Season six. Huge mess.)
But enough talking about silly politics. We're here to talk about some god damn Space Pirates! (Or are we?)
So let's get to it!